Kino valoda, stilistika un fotogrāfija

Robert Sklar. World History of Film. New York, Harry Abrahams Incorporated, 2002

Rudolf Arnheim. From Film as Art. Film and Reality. The Making of A Film. Film Theory and Criticism, Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Stanley Cavell. From the World Viewed. Photograph and Screen. Film Theory and Criticism, Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Truffaut, Francois. A Certain Tendency of the French Cinema. In: Movies and Methods. Volume I. Edited by Bill Nichols. Berkley, Losangeles, London. University of California Press. 1976

Bordwell, David. The Art Cinema as a Mode of Film Practice. In Film Theory and Criticism. Introductory Readings (Fifth Edition). Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999.

Andre Bazin. From What is Cinema? The Evalution of the Language of Cinema. Film Theory and Criticism, Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Andre Bazin. From What is Cinema? The Ontology of the Photographic Image. Film Theory and Criticism. Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Stan Brakhage. From Metaphors of Vision. Film Theory and Criticism. Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Maya Deren. Cinematography. The Creative Use of Reality. Film Theory and Criticism. Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Bela Balasz. From Theory of the Film. The Close-up. The Face of Man. Film Theory and Criticism. Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Ervin Panofsky. Style and Medium in the Motion Pictures. Film Theory and Criticism. Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Ervin Panofsky. Style and Medium in the Motion Pictures. Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. In Film Theory and Criticism. Introductory Readings (Fifth Edition). Edited by Leo Braudy, Marshall Cohen. New York, Oxford. Oxford University Press, 1999

Todd, Anthony. Autorship and the films of David Lynch. Aesthetic receptions in contemporary Hollywood, New York: I.B. Taurus Publishers, 2012

Collins, Luke. 100% Pure Adrenalin. Gender and Generic Surface in Point Break. Gender Meets Genre in Postwar Cinemas. Edited by Christine Gledhill. Urbana, Chicago, Springfield. University of Illinois Press, 2012

-

-