Drama Therapy I
Study Course Implementer
Riga, 16 Dzirciema Street, vppk@rsu.lv, +37167061587
About Study Course
Objective
To develop comprehension of the course of historical development of drama therapy; the versatility of theoretical strategies and their assessment criteria. To develop the skill to choose and use the evaluation methods and techniques according to the situation, the specificity of a group of clients/patients, to develop an understanding of the process and outcome of drama therapy. To develop the creative potential in terms of art, to raise awareness of their own art experience and evaluate it; to provide an opportunity to enrich the knowledge about the art language of the theatre and develop skills in perception and expression information therein, as well as to gain collaboration experience by using an art medium. To develop students’ spontaneity, creativity and self-reflection ability.
Preliminary Knowledge
Professional activity in art therapy and its legal basis (1st semester). Evaluation process in art therapy (2nd semester).
Learning Outcomes
Knowledge
1.In the history part of drama therapy – is familiar with the historical progress of drama therapy, describes and compares different directions of drama therapy and explains the specific features of the drama therapy process organisation for working with different client/patient groups. Describe the specificities of the group and the individual drama therapy process (test – analysis and test of three scientific studies).
2.In the improvisational and creative part – knowledge, recognition and description of the general concepts of the creative theatre process, basic techniques of acting and basic genres of theatre. Knows the roles of director, actor, set designer in theatre and the drama therapy process. Knows the principles and creative processes of creative process and spontaneity in drama therapy (verification – practical skills test, professional development diary).
3.In the evaluation part – name and describe the art (drama) based assessment and assessment objectives and types in drama therapy, explain their application in relation to the client/patient group (test – test work, case analysis, test).
Skills
1.In the history section of drama therapy, masters are able to argue reasonably about approaches to drama therapy and their suitability for different client/patient groups.
2.In the improvisation part, evaluate your experience in the use of art (drama)-based instruments. Uses a variety of theatrical techniques and genres. Create a creative environment, provide instructions for a creative task. Apply your actions to the circumstances during the performance of tasks (verification – practical skills test, professional development diary).
3.In the evaluation part, different cognitive and practical skills shall be applied in order to select one or more theoretical concepts and be able to apply them in the client/patient case drama therapy plan, illustrate basic methods, means, materials and information to achieve the objectives set. Assess and analyse the client/patient situation (environmental factors, cultural and social characteristics) and personality and/or cognitive abilities; problems and difficulties, as well as capacities and resources; customer/patient compliance with art (drama) therapy; is able to critically evaluate and select research methods and techniques, instruments according to the situation and customer/patient specificity; is able to record the results of the research/evaluation (verification – minutes design).
Competences
1.In the history of drama therapy – assumes responsibility for carrying out independent tasks, integrates theoretical knowledge and develops professional skills during the performance of tasks. Navigates current world studies of drama therapy and international databases.
2.In the improvisation part, describe and evaluate your experience of art expression; feelings, feelings, emotions, associations, thoughts, images associated with the creative process; describe and critically assess their creative capabilities; analyse your own and other art expressions.
3.In the evaluation part - integrate the acquired results of the art (drama) based evaluation into the assessment of the state of health of the client/patient within the scope of its competence, observing ethical principles; partially able to write a hypothesis and set potential aims for art (drama) therapy; assess their experience in the use of art (drama)-based instruments; apply the acquired knowledge in practice.
Assessment
Individual work
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Title
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% from total grade
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Grade
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|---|---|---|
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1.
Drama therapy history part |
-
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-
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Independently strengthen the lecture material by reading the given sources. |
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2.
Improvisation part |
-
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-
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Work independently and in small groups in various theatrical techniques and genres during seminars. Systematic entries shall be made in the professional development diary in relation to the use of various theatrical techniques and elements. |
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3.
Evaluation part |
-
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-
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Student performs evaluation practically using one art (drama)-based instrument, respecting ethical principles. Draw up evaluation minutes and analyse the results of the evaluation. |
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4.
Study course evaluation questionnaire |
-
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-
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In order to evaluate the quality of the study course as a whole, the student must complete the study course evaluation questionnaire on the student portal. |
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Examination
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Title
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% from total grade
|
Grade
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|---|---|---|
|
1.
Test |
-
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Test
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Active participation in lectures and classes by asking questions and referring to the sources read. Course attendance is mandatory. If any lectures/classes are not an opportunity to attend – report as early as possible, an additional assignment will be assigned. The order of individual lecture topics may change as part of the course. The use of AI is permitted to form a theoretical part and correctly reflect it, as well as to refer to AI in specific parts of the text and to be placed in the list of sources of literature. In defiance of this condition, the work will be considered plagiarism, a violation of academic integrity. RSU guidelines: https://smr.rsu.lv/entities/publication/7d9101c8-279f-4ba4-b12a-30876f1080f3 |
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2.
Drama therapy history part |
50.00% from total grade
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10 points
|
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Analysis of scientific research:
Students shall agree on the deadline for submission with the teaching staff during the first lecture. 1 point for submitted work after the specified deadline. Work initially submitted unsuccessfully can be resubmitted within the specified time limit. -1 point for resubmitted work. |
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3.
Drama therapy history part |
-
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Test
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Mid-semester examination – a successfully written test work on the history, approaches and theory of drama therapy. |
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4.
Improvisation part |
-
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Test
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Creation and improvisation:
Date – final lesson/lecture in the autumn semester of CT I. |
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5.
Evaluation part |
20.00% from total grade
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Test
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Mid-semester examination – Test work on evaluation tools. |
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6.
Evaluation part |
10.00% from total grade
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10 points
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Case analysis by 6KEY. |
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7.
Evaluation part |
20.00% from total grade
|
10 points
|
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One evaluation tool should be selected to be tried individually on three clients (preferably different age groups). Evaluating three real clients/patients with various art (drama) based instruments, documenting the evaluation using the initial evaluation form, drawings, tables, art (drama) based evaluation minutes, etc. as part of the evaluation process; a deeper analysis of one case – setting hypotheses and targets. 1 point for submitted work after the specified deadline. Work initially submitted unsuccessfully can be resubmitted within the specified time limit. -1 point for resubmitted work. |
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Study Course Theme Plan
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Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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The foundations of theatrical art, the diversity of genres.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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The foundations of theatrical art, the diversity of genres.
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-
Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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The position of contemporary theatre and art. Technique and media in theatre art, performance and ritual structures.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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The position of contemporary theatre and art. Technique and media in theatre art, performance and ritual structures.
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-
Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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Acting and directing, the artistic process of making. Symbols and symbolisation.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Acting and directing, the artistic process of making. Symbols and symbolisation.
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-
Lecture
|
Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Understanding professional roles in drama therapy.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Understanding professional roles in drama therapy.
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Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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History of drama therapy.
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Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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History of drama therapy.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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History of drama therapy.
|
-
Class/Seminar
|
Modality
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Location
|
Contact hours
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|---|---|---|
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On site
|
Auditorium
|
2
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Topics
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History of drama therapy.
|
-
Lecture
|
Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Theatrical space in drama therapy - stage design, sense of space.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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Theatrical space in drama therapy - stage design, sense of space.
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-
Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Approaches of drama therapy.
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Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Approaches of drama therapy.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
|
2
|
Topics
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Approaches of drama therapy.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
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Approaches of drama therapy.
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-
Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Tools and techniques for assessing drama therapy.
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-
Lecture
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Tools and techniques for assessing drama therapy.
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-
Lecture
|
Modality
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Location
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Contact hours
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|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Tools and techniques for assessing drama therapy.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
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|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Tools and techniques for assessing drama therapy.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
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|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Tools and techniques for assessing drama therapy.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Tools and techniques for assessing drama therapy.
|
-
Lecture
|
Modality
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Location
|
Contact hours
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|---|---|---|
|
On site
|
Auditorium
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2
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Topics
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Aims, objectives and fields of application of drama therapy.
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-
Class/Seminar
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Modality
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Location
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Contact hours
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|---|---|---|
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On site
|
Auditorium
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2
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Topics
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Aims, objectives and fields of application of drama therapy.
|
-
Lecture
|
Modality
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Location
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Contact hours
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|---|---|---|
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On site
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Auditorium
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2
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Topics
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Initial assessment in drama therapy. Limits of competency. Interim assessment.
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-
Lecture
|
Modality
|
Location
|
Contact hours
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|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Initial assessment in drama therapy. Limits of competency. Interim assessment.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Initial assessment in drama therapy. Limits of competency. Interim assessment.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Initial assessment in drama therapy. Limits of competency. Interim assessment.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Evaluation and assessment in drama therapy: traditions, experience and definitions. Aims and types of evaluation and assessment.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Evaluation and assessment in drama therapy: traditions, experience and definitions. Aims and types of evaluation and assessment.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Evaluation and assessment in drama therapy: traditions, experience and definitions. Aims and types of evaluation and assessment.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Evaluation and assessment in drama therapy: traditions, experience and definitions. Aims and types of evaluation and assessment.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Assessment of the process and/or result of drama therapy.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Assessment of the process and/or result of drama therapy.
|
Bibliography
Required Reading
D.R. Johnson, S. Pendzik, S. Snow (Eds.). (2012). Assessment in dramatherapy. Charles C Thomas Pub. Ltd. (akceptējams izdevums)
Johnson, D.R., Emunah, R. (2020). Current Approaches in Drama Therapy. Springfield, IL: Charles C. Thomas Publisher, Limited
Jones, P. (2007). Drama as therapy: theory, practice and research. NewYork: Routledge. (akceptējams izdevums)
Jennings, S. Holmwood, C. (2016). Routledge International Handbook of Dramatherapy. London: Routledge
Jennings, S., Cattanach, A., Mitchel, S., Chesner, A., Meldrum, B. (1994). The Handbook of. Dramatherapy. New York: Routledge. (akceptējams izdevums)
Langley, D. (2006). An introduction to dramatherapy. London: Sage publications Ltd. (akceptējams izdevums)
Langley, D.M., Langley G.E. (1983). Dramatherapy and psychiatry. London: Croom Helm. (akceptējams izdevums)
Pendzik, S., Emunah, R, Read Johnson, D. (2016). The Self in Performance: Authobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre. New York: Palgrave Macmillan
Additional Reading
Andersen-Warren, M., Graigner, R. (2000). Practical Approaches to Dramatherapy. The Shield of Perseus, London: Philadelphia: Jessica Kingsley publishers. (akceptējams izdevums)
Antiņa, I., Mežale, S. (2008). Spēles radošiem pedagogiem. Rīga, Izdevniecība RaKa. (akceptējams izdevums)
Aristotelis (2008). Poētika. Rīga: Latvijas Valsts izdevniecība. (akceptējams izdevums)
Booker, M. (2011). Developmental drama. Dramatherapy approaches for people with profound or severe multiple disabilities, including sensory impairment. London: Jessica Kingsley Publishers. (akceptējams izdevums)
Cattanach, A. (1999). Process in the arts therapies. London: Jessica Kingsley Publisher. (akceptējams izdevums)
David, R.J., Renee, E. (2009). Current Approaches in Drama Therapy. Charles C. Thomas Publisher. (akceptējams izdevums)
Dayton, T. (1990). Drama games: techniques for self-development. Health Communications, Incorporated. (akceptējams izdevums)
Dokter, D., Holoway, P., Seebohm, H. (Eds.). (2011). Dramatherapy and Destructiveness: Creating the Evidence Base, Playing with Thanatos. London: Routledge. (akceptējams izdevums)
Emunah, R. (2020). Acting for Real: Drama Therapy Process, Technique, and Performance. New York: Routlegde.
Jennings, S. (1998). Introduction to Dramatherapy : Theatre and Healing, Ariadne's Ball of Thread. London: Jessica Kingsley Publishers. (akceptējams izdevums)
Jennings, S., & Minde, Å. (2006). Art therapy and drama therapy: Masks of the soul. Jessica Kingsley Publishers. (akceptējams izdevums)
Landy, R.J. (1994). Drama Therapy. Concepts, Theories and Practices. Illinois: Springfield. (akceptējams izdevums)
Landy, R.J. (2001). New essays in drama therapy. Springfield: Charles C.Thomas. (akceptējams izdevums)
Mārtinsone, K. (sast.) (2020). Mākslu metodes un tehnikas profesionālajā darbībā. Rīga: Drukātava.
Pearson J., Smail M., Watts P. (2013). Dramatherapy with Myth and Fairytale. Jessica Kingsley Publishers. (akceptējams izdevums)
Pendzik, S. (2008). Using the 6-Key Model as an intervention tool in drama therapy. In The Arts in Psychotherapy. Vol. 35. No.5, p.349-354.
Pitruzzella, S. (2017). Drama, creativity, and intersubjectivity : the roots of change in dramatherapy. London: Routledge
Pitruzzella, S. (2004). Introduction to dramatherapy: person and threshold. NewYork: Brunner-Routledge. (akceptējams izdevums)
Rowe, N. (2007). Playing the Other: dramatizing personal narratives in playback theatre. London: Jessica Kingsley Publishers. (akceptējams izdevums)
Schrader, C. (2012). Ritual Theatre. The Power of Dramatic Ritual in Personal Development Groups and Clinical Practice. London: Jessica Kingsley. (akceptējams izdevums)
Smildziņa, L. (2009). Vingrinājumi un spēles darbam teātra studijā. (akceptējams izdevums)
Spolina, V. (1999). Teātra spēles improvizācija. Rīga: Preses nams. (akceptējams izdevums)
Winbolt, B. (2011). Solution Focused Therapy for the Helping Professions. London: Jessica Kingsley Publishers. (akceptējams izdevums)
Other Information Sources
Drama Review
Dramatherapy
International Journal of Arts Medicine
Narrative Inquiry
The Arts in Psychotherapy