Animation, Video and Other Audiovisual Media Types
Study Course Implementer
Dzirciema street 16, Rīga, szf@rsu.lv
About Study Course
Objective
Preliminary Knowledge
Learning Outcomes
Knowledge
1.Students will be able to characterise the concept of animation as a type of visual communication and its types. Will know how to compare and analyse animation messages and approaches. Will know animation elements, composition and editing principles.
Skills
1.Will be able to draft an animation story and use narrative patterns. Will know how to use theoretical knowledge on animation in practice. Will be able to independently create visual communication works in animation. Will be able to autonomously arrange animation elements, using main causalities in creation of composition and narrative.
Competences
1.Will be able to autonomously and professionally critically evaluate available resources for planning and implementation of an audiovisual project. Will be able to responsibly and ethically obtain and produce relevant necessary materials to start production of an animation. Will be able to competently select appropriate audiovisual technologies for a message. Will demonstrate critical attitude to the narrative structure, message, selection of images and use of audiovisual elements when creating an animated image work.
Assessment
Individual work
|
Title
|
% from total grade
|
Grade
|
|---|---|---|
|
1.
Individual work |
-
|
-
|
|
To approbate the knowledge provided during lectures and seminars by developing and implementing an audiovisual project in student teams.
|
||
Examination
|
Title
|
% from total grade
|
Grade
|
|---|---|---|
|
1.
Examination |
-
|
-
|
|
Participation in lectures.
Participation and activity in seminars.
Creative project – audiovisual project, its compliance with the course content.
|
||
Study Course Theme Plan
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Animation, its techniques and use of audiovisual elements.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Video and other audiovisual and interactive media in the context of digital culture.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Technical parameters and formats of video.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Animated image production, reproduction and representation techniques and programmes.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Creation of image and narrative. Image and sound.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Composition and digital editing.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Principles of creation of ideas of scenarios. Presentation and discussion of an idea and a concept for an audiovisual project.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Principles of creation of ideas of scenarios. Presentation and discussion of an idea and a concept for an audiovisual project.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Project implementation planning. Development of a plan of shots and other necessary preliminary materials. Presentation of preliminary materials of an audiovisual project. Analysis and discussions.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Project implementation planning. Development of a plan of shots and other necessary preliminary materials. Presentation of preliminary materials of an audiovisual project. Analysis and discussions.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Technical parameters and formats of video.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Animated image production, reproduction and representation techniques and programmes.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Creation of image and narrative. Image and sound.
|
-
Lecture
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Composition and digital editing.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Principles of creation of ideas of scenarios. Presentation and discussion of an idea and a concept for an audiovisual project.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Principles of creation of ideas of scenarios. Presentation and discussion of an idea and a concept for an audiovisual project.
|
-
Class/Seminar
|
Modality
|
Location
|
Contact hours
|
|---|---|---|
|
On site
|
Auditorium
|
2
|
Topics
|
Project implementation planning. Development of a plan of shots and other necessary preliminary materials. Presentation of preliminary materials of an audiovisual project. Analysis and discussions.
|
Bibliography
Required Reading
Furniss M. The Animation Bible: A Practical Guide to the Art of Animating from Flipbooks to Flash. – New York: Abrams, 2008.
Williams R. The Animator's Survival Kit. – Faber & Faber, 2012.
Bourriaud N. Postproduction: Culture as Screenplay: How Art Reprograms the World. – Lukas & Sternberg, 2005.
Spielmann Y. Video: The Reflexive Medium. – MIT Press, 2008.
Li Z.N., Drew M.S. Fundamentals of Multimedia. - Prentice Hall, 2004.
Reisz K., Milar G. Technique of Film Editing. – Focal Press, 2009.
Rubin M. Nonlinear - A Field Guide to Digital Video and Film Editing. – Triad Pub Co, 4.ed., 2000.
Wands B. Art of the Digital Age. – Thames & Hudson, 2007.
Additional Reading
Long, B. Schenk, S. The Digital Filmmaking Handbook. – Charles River Media Inc., 2000.
Harryhausen R., Dalton T. A Century of Stop Motion Animation: From Melies to Aardman First. – Watson-Guptill Publications, 2008.
Arnheim R. Film as Art. - Los Angeles: University of California Press, 1957.
Daniel N., Altmans R. Broken Screen: Expanding the Image, Breaking the Narrative. – Distributed Art Publishers, 2006.
Sexton J. Music, Sound and Multimedia: From the Live to the Virtual - Edinburgh University Press, 2008
Hoffert, P. Music for new media: composing for videogames, web sites, presentations, and other interactive media. – Boston, Berklee Press, 2007.