Digital Image
Study Course Implementer
Dzirciema street 16, Rīga, szf@rsu.lv
About Study Course
Objective
Preliminary Knowledge
Learning Outcomes
Knowledge
1.-
Skills
1.-
Competences
1.-
Assessment
Individual work
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Examination
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Study Course Theme Plan
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On site
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Auditorium
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2
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Topics
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Bibliography
Required Reading
Digital Aesthetics, Sean Cubitt. (London: SAGE, 1998), PP.29-49
The Future of the Image, J. Ranciere. ( London, New York: Verso, 2007), pp. 1-37
Interaction (Information) as an Aesthetic Event. 2007. http://manovich.net/articles/
Image Future, 2006. , Lev Manovich No: http://manovich.net/articles/
A History of Video Art. The Development of Form and Function, Chris Meigh-Andrews (Oxford: Berg Publishers, 2006)
Illuminating Video. An Essential Guide to Video Art, Doug Hall & Sally Jo Fifer (Aperture: 1991)
Video Art, Michael Rush (London: Thames&Hudson, 2003)
New Media in Art, Michael Rush (London: Thames&Hudson, 2005)
Rethinking Visual Anthropology, ed. by Marcus Banks and Howard Morphy (Yale University: 1999)
Experimental Ethnography.The Work of Film in the Age of Video, Catherine Russell (London: Duke University Press, 1999)
The Concise Focal Encyclopedia of Photography (Focal Press: 2008)
Image.Music.Text, Roland Barthes(Fontana Press: 1977)
The End of Celluloid, Matt Hanson (Roto Vision: 2004)
Ķermenis kā politisks instruments un mākslas platforma Taņas Ostojičas darbos. Laine Kristberga (Studija Nr. 75, 48.–53. lpp.)
Neērtums un sociālās paradigmas etnogrāfiskajos novērojumos. Saruna ar videomāksliniecēm Jūliku Rudēliusu un Pilvi Takalu. Laine Kristberga (Studija Nr. 79, 58.–63. lpp.)
The Aesthetics of Curiosity in Katrina Neiburga’s Works ‘Topology No 29’, ‘What’s in a Girl’s Handbag?’ and ‘The Teashroom’. Laine Kristberga (Acta Academiae Artium Vilnensis, 2011) 203.–211.lpp.
Other Information Sources
Digitālo un/vai video mākslinieku mājaslapas